Following a thirty-year practice in visual systems, the work is moving from client-driven commercial infrastructure to independent, self-initiated inquiry. Rather than abandoning commercial frameworks altogether, the practice liberates them from corporate constraints to interrogate them more closely—opening up decades of developed tools to critically respond to a changing landscape of automation and artificial intelligence.

 Whether analyzing commercial visual systems or documenting the local wildlife and border landscapes, the work functions as a singular, unified study of the human condition: examining how we process context, navigate the fluid boundary between story and truth, and operate as social animals.

The work naturally cross-fertilizes across projects, but is organized for easy reference into three sections.

About the place
Solport
Swimming Through Leaves